My crime novel collection is varied in style and geography. I have American Jeffery Deaver for thrillers, Australians Peter Corris for PI procedural and Kerry Greenwood for the most fabulous 1920s lady detective ever, Andrea Camilleri for Sicilian detection brilliance, CS Harris for Regency romance and murder, Elmore Leonard for noir, and many more. What had been missing from my shelves for some time was a regular Scandinavian crime writer, but now I have found one—Thomas Enger.
It may seem odd that it has taken me so long to commit to a Scandi crime novelist. It does to me. What with the explosion over the last decade or so of excellent Scandi crime and thrillers hitting the English-language world. I had intentions. Henning Mankell, Jo Nesbo, Anne Holt… I think perhaps I was sated by the television: Unit One, The Eagle, The Killing etc. It doesn’t really matter, does it? I finally got there.
Henning Juul is a journalist with a knack for working out those things others don’t. A loner with a personal tragic mystery to solve—who set the fire to his home that killed his son, and why? In book one—Burned—we meet Henning as he returns to the workforce after he has recovered (physically) from the tragic fire. He is quiet, wearing scars and carrying a heavy heart. Each night he obsessively changes the batteries in his smoke detectors, and most of his thoughts are focussed on his son and his loss.
He starts work at an online newspaper in Oslo and covers the police rounds. He is an experienced journo—professional, eagle-eyed, able to get people to tell him things even if they didn’t want to. Before long he is re-establishing contacts with the police, including a former school mate. And then there is the anonymous police source who contacts him online—who gives tips and helpful advice, and also seems to be able to assist in Henning’s quest to discover the truth surrounding his son’s death.
Meanwhile in Oslo, a young woman’s body is found on a frozen expanse. She has been stoned to death, whipped, and one of her hand’s is noticeably absent. Henning is sent to cover the story, and even though an arrest is made early on, something doesn’t add up for our protagonist and he finds himself continuing to investigate the crime.
In book two, Pierced, a former enforcer turned real-estate magnate has been found guilty of a murder he says he didn’t commit. He contacts our hero and promises information on the fire that killed Henning’s son if Henning helps clear his name. Henning understandably agrees, determined to get further in his personal quest, as long as he can avoid getting into deadly trouble himself.
In the latest book, Scarred, Henning is assigned to cover the murder of an elderly woman in a nursing home. At the same time his estranged sister Trine, the Minister for Justice, is accused of sexual misconduct and has the media at her door. Though the siblings rarely speak, for reasons of which even Henning is not clear, he believes his sister has been set up and seeks to discover the saboteur. As the two cases collide, we learn more of Henning and his childhood than we have before, and in some ways so does he. There is a family secret that is still not perfectly clear but there is a sense our hero may be investigating his own background, along with discovering more about the deadly fire in his home, sometime soon.
I was recommended these books by their English translator, Charlotte Barslund. We sat next to each other at a dinner a couple of years ago and I asked her what were some of her favourite books to work on. She nominated Thomas Enger’s series and despite the generous wine pouring during the night I remembered them. And I’m very glad I did. They are some of the first novels I’ve turned to for holidays, a crime fix or when needing something different in tone after a great big sweeping novel.
Henning, despite his quiet intensity and personal distractions, is the kind of character who gets under others’ skin. In the books, this is partly due to his journalistic training, but for the reader it’s because he is a good man; a good, intelligent and sensible man who has lost a lot of himself due to his life’s tragedy but is capable of rebuilding over time, if he can get a few breaks, if he can find out who killed his son and learn to move on. He himself is a mystery we are keen to unravel, and at the same time we are happy and intrigued to join him as he unravels other crimes.
Thomas Enger’s novels are everything you need from your Northern crime stories—dark and mysterious, thoughtful and wry, with a protagonist we want to meet again and again, watching him solve crimes, avenge tragedy and grow as a person.